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Richard Wagner: A Research and Information Guide (Routledge Music Bibliographies), by Michael Saffle
PDF Ebook Richard Wagner: A Research and Information Guide (Routledge Music Bibliographies), by Michael Saffle
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Acknowledgements
To Users of this Research Guide
I. Introduction
II. Introducing Wagner: Compendia and Other Survey Studies
III. Researching Wagner: Reference Works of Various Kinds
IV. The Documentary Legacy
V. Wagner's Life and Character
VI. Wagner as Composer: Studies in Techniques, Styles, and Influences
VII. Wagner as Music-Dramatist
VIII. Wagner as Instrumental and Vocal Composer and Arranger
IX. Performing Wagner
X. Wagner as Poet, Prose Writer, and Philosopher
XI. Criticizing Wagner
XII. Wagner and Culture, Past and Present
XIII. After Wagner: Bayreuth, the Festivals, and Wagner's Descendents
Index
- Sales Rank: #7372028 in Books
- Published on: 2002-06-21
- Original language: English
- Number of items: 1
- Dimensions: 1.19" h x 6.48" w x 9.20" l, 1.73 pounds
- Binding: Hardcover
- 352 pages
Most helpful customer reviews
20 of 20 people found the following review helpful.
A source of innocent merriment
By Derrick Everett
It must be assumed that the enormity of the task, and his complete lack of qualifications to execute it, had not dawned on the author before he was too far into this project to abandon it. The result is simply a mess: some of the 1175 items cited in this Guide are derivative or trivial contributions to the vast literature, while seminal contributions to it have been overlooked. Most of the entries contain errors, suggesting that the book or article cited has received no more than a cursory examination. In many cases Saffle's description of the book or article bears no resemblence to its contents. For example, Saffle tells us that Nietzsche's 'Richard Wagner in Bayreuth' contains "impressions of the 1876 Bayreuth Festival", despite the fact that it was published before that Festival was held. When such an important resource as Curt von Westernhagen's catalogue of Wagner's Dresden library is incorrectly described, one can only conclude that the author of this Guide was far out of his depth. It is hard to understand how the publishers could leave the preparation of this book in the hands of an author who knew so little about Wagner that he could not even get the titles of the composer's major works right, either in the original language or in translation -- he believes for example that Wagner wrote 'Die Liebesverbot', 'Le hollandaise Volant' and 'The Valkyries' -- or why an individual who believes that the libretto of 'Die Zauberflöte' was written by Da Ponte and that the 'Altenberg Lieder' are the work of Anton von Webern, is writing about opera and music. It is to be regretted that the publishers did not see fit to involve anyone familiar with French or German in this project, since both these languages are obviously unknown to Saffle. The book in its present form and with its present quality is worthless, except perhaps as a source of unintended humour.
9 of 9 people found the following review helpful.
An Expert's Opinon
By A Customer
In the Book Review section of the September 2003 edition of "Wagner": the journal of the Wagner Society; Stewart Spencer dedicates three pages (44-46) to demonstrating that this book is merely an addition to: "...the mountain of worthless writings on Wagner."
The serious student should be wary therefore, of spending so much on a book considered "worthless" by Spencer: an established authority on the composer.
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